HELLO
TO WHO

I AM
BECOMING

Hello To Who I Am Becoming was an exhibit of art, poetry, prose and ritual exploring the people I used to be and the ones that are emerging. The exhibit was open to the public January 9-11, 2026 in honour of my 40th.

Over 2024 and 2025, the creative process of Goodbye To The People I Used To Be acted as meditation and mantra in action. I wrote the phrase Goodbye To the People I Used to Be countless, endless times. Each time, it was an invitation to myself to let the past lie, to take the lessons with me and to step forward. The ending now feels complete. And with that ending, I feel a beginning - much of it is still foggy but the beckoning is impossible to ignore. To process the fogginess, I’ve been working on a series which I’ve been calling: I am an ever-changing landscape. These pieces explore our ever-evolving nature. When we think we know, we actually have no idea. In this work, I dive into my relationship with spirit, with the natural world, with messages from the beyond.

Hello To Who I Am Becoming included creative work from these significant chapters from January 2024 to present. The result of two years of saying Goodbye.

As well as showcasing my artwork, I shared a collection of writing spanning 2019-2025 that included poetry and prose. Some of the pieces were deeply personal and raw - pulled directly from my journal, unedited. I also left sketch books and journals out for people to flip through. Having people witness my truth was empowering and important for me with this collection of work.

This collection and show ushered in a chapter I’m calling The Artist Hearler. This is a chapter in which I will be blending my artistic practice with my facilitation, experience design and spaceholding skills more intentionally. During Hello To Who I Am Becoming, I hosted two rituals in honour of The Artist Healer. These included one in darkness called Embrace The Dark and a closing ritual to celebrate and welcome the new year called Enter The Light. Participants were guided to engage with the work and see what messages came through for them.

This exhibit went up and came down quickly. Pieces were taped or clipped to the wall - an ode to the fact that nothing is ever complete. We are works-in-progress. My work space reflects this; in my office where I produce my art, pieces go up with tape and come down when gravity pulls them off the wall. I wanted people to feel invited into my artistic process which is messy and ever-evolving.